Manet’s Boy with Cherries (1860)
Manet’s Boy with Cherries (1860), an early work, is a good example of how one great master identifies with another even when young and little known. Manet painted it a few years after his trip to Italy where he had seen and copied works by the fifteenth-century master, Perugino, who had significantly been Raphael’s teacher.
The model here is said to be Manet’s studio assistant who hanged himself in the studio a few months later. Of course, we have no idea what the boy looked like and it is doubtful that this is a good likeness. Poetic painters are rarely interested in an accurate resemblance because their primary concern is to make the subject an aspect of their own minds.
Click next thumbnail to continue.
More Works by Manet
A good example of how the "errors" in a painting are really the key to its meaning
This magical composition hides a complex thought of seeming effortless construction: a masterpiece of the first order
Original Publication Date on EPPH: 24 Oct 2010. © Simon Abrahams. Articles on this site are the copyright of Simon Abrahams. To use copyrighted material in print or other media for purposes beyond 'fair use', you must obtain permission from the copyright owner. Websites may link to this page without permission (please do) but may not reproduce the material on their own site without crediting Simon Abrahams and EPPH.