Egon SchieleTulln 1890 - Vienna 1918
Articles
In photographs taken with a macro lens, showing an object in extreme close-up, it can be difficult to recognize the subject. It is the same in painting. However, if you know it's a close-up, it's easier.
Schiele’s Bare Tree Behind a Fence (1912)
The concise expression of meaning is as aesthetically satisfying in art as it is in poetry
Schiele’s Embrace (1912)
Don't take portraits at face value. If they're art, there's always more to them.
Schiele’s Portrait of a Lady in an Orange Hat (1910)
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