EPPH - Every Painter Paints Himself

This 1902 woodcut by Edvard Munch is of an old man praying, at least that's the superficial narrative. Alert viewers will recognize that something else is at work. In the Middle Ages it was common for artists to pray before starting a new project and there is something strange in the old man's pose. 

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His hands are not open, palm to palm, as in prayer. The only one we can see is actually bent at the knuckles, perhaps as a sign of arthritis. Once seen though, the man begins to resemble an artist on his knees in front of a white support holding an unseen tool in his hand. He looks closely at his work. He could, for instance, be drawing or engraving his hand's shadow on the white rectangle. (Alberto Giacometti also "drew" his shadow in an early self-portrait.) The cloth or curtain on which Munch's man appears to work must then metaphorically be some form of material support, like a canvas or a block of wood.

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The holy figure may look real but is instead a mental image of Munch himself as an old man in his mind. Leonardo portrayed himself as an older man in his Self-portrait too, as have many other artists to indicate the age-old wisdom of the creative mind.