21 Feb 2016

Harper Lee on Every Painter Paints Himself

Harper Lee’s passing reminded me of a deservedly famous line in To Kill A Mockingbird: "You never really understand a person… until you climb into his skin and walk around in it." To my mind she was not just portraying a wild imagination, as

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01 Aug 2015

Joanna Woodall on Cooking Artists in Dark Rooms

Many are the ways to demonstrate that a given picture represents the artist in his or her mind: resemblance, pose, apparent errors, "nonsensical" shading, tools expressed in metaphor, etc. We have shown you at least thirty different methods, mos

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05 Jul 2015

How Every Writer Writes Herself [from the Archives]

Short sayings like "Every Painter Paints Himself" often generate shallow interpretations. On first hearing that phrase I doubt anyone would recognize a whole philosophy. I didn’t and still haven’t plumbed its full depth and meaning.

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06 Mar 2015

C.S. Lewis on a Poetic Method

The late Sidney Geist, a sculptor and controversial interpreter of Cézanne's art, invited me about 12 years ago to come and see him at his studio in Manhattan. I had spent the past year studying everything about Edouard Manet and was excited to

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16 Jan 2015 | 2 Comments

The Centrality of Tools

Art sometimes seems like a meditation on the brush. Certainly visual metaphors for art's tools abound from, say, Edouard Manet’s early Boy with a Sword (in effect he holds a giant paintbrush, see explanation) to Diego Velazquez’s Portrait

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29 Dec 2014

For how long have we read the Bible literally?

I learnt an astonishing fact today.1 The habit of reading the Bible as though it is historically true (especially the New Testament) started during the Protestant Reformation which began in 1517 and lasted more than a century. For the first 1,50

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10 Dec 2014 | 1 Comments

Van Eyck’s Alpha and Omega

The world seems to work in our favor. Things happen which I used to call coincidence but which, in hindsight, are often far too fortuitous to be chance. Carl Jung described such events, at least the unusually important ones, as sy

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13 Oct 2013

Higgs Boson and Mistakes

So, not long after the discovery of the Higgs boson and half a century after they predicted its existence, Higgs and Englert win the Nobel Prize in Physics. I don't often relate to advances in science but this one's a biggie. Last year, on news

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09 Mar 2013

Proust’s and Degas’ Disappearing Models

Literature and its methods are a useful yardstick by which to judge our knowledge and understanding of the visual arts. For instance, the known fact accepted by literary critics that many friends and acquaintances of Marcel Proust, the great Fre

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23 Dec 2012

1, 2, 3. Please start here.

"The poets", a great literary critic once wrote, "do not read the same books as the academics or do not read them in the same way." She added, to explain how all great poetry is on the same path, that the gnosis of mind, or inner wisdom they sea

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11 Dec 2012

Memory Holloway and Picasso

Memory Holloway, an art historian at the University of Dartmouth, Massachusetts, has written a wonderful book on a magnificent group of etchings by Pablo Picasso. It is titled Making Time: Picasso's Suite 347. Suite 347 is the name given to

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13 Nov 2012

Six Tips on How to Look at Art

The idea, peddled by many, that you can just stand in front of a work of art and let it speak to you is wrong. What, for instance, happens inside you when you look at the Mona Lisa? Probably not much. Indeed, as an adolescent trying to figure ou

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04 Aug 2012

Beauty is Truth, Truth Beauty

I've been reading the Bhagavad Gita, India's gift to the world, and discovering how the themes and principles of good living that Krishna teaches are remarkably similar to those that both Christ and Buddha taught centuries later. No-one

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19 Jul 2012

Susan Sidlauskas and the Many Faces of Hortense Cézanne

In a relatively recent book on Paul Cézanne's portraits of his wife, Hortense, Susan Sidlauskas examines the nearly 30 images he made of her over a fourteen-year period in greater detail than has ever been done before. It is an import

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03 May 2012

Art’s Tradition of Secrecy

Great poets are great poets because they have reached heights of spiritual understanding inaccessible to the crowd. The starting-point depends on the individual; some are born prophetic, others somewhere along the way. Those who begin at the bot

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11 Apr 2012 | 2 Comments

Words on Words and Songs on Sound

My beat is art history and I’ve spent15 years reading nothing but non-fiction loosely or closely related to art.  My knowledge of contemporary literature  is tenuous at best; my familiarity with music worse but I have a belief ba

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27 Feb 2012

Degas on Reflection and the Great Masters

At the entry to a small, mildly interesting exhibition of Rembrandt’s engravings and their influence on Degas, the Metropolitan Museum has highlighted the following quote:

“What I do is the result of reflectio

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31 Jan 2012

Hollywood and the Man Within My Head

I’m always intrigued on perusing The Times Book Review by how many articles explain the object of their study in terms similar to those used here. It is no coincidence, of course. Every painter paints himself and all it entails is probably

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05 Dec 2011

Urinary Colors

Perhaps Andres Serrano’s Piss Christ, a photo of a crucifix in a bottle of his own urine, is not so unusual after all. I’ve just learnt that the red dyes used for high-status textiles in the Middle Ages (ecclesiastical, regal etc.)&n

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27 Apr 2011

Ratatouille and the Great Masters (of all genders)

What do Raphael’s La Fornarina and Ratatouille have in common? Much more than you might think, their superficial differences disguising their fundamental similarity. The idea that significant art depicts a moment of its own making within t

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15 Mar 2011 | 2 Comments

Leo Steinberg and Christ’s Organ

Leo Steinberg died two days ago in New York City at the age of 90. He was an art historian who wrote English clearly and had an unusual eye. His most important contribution was not, as is generally believed, his book Other Criteria in which he c

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09 Mar 2011

How Museums Rob the Public

Do you know who owns the copyright on the Mona Lisa? No-one, of course, because Leonardo is long dead. Try telling that to the Metropolitan Museum, though. A few years ago they started to claim copyright on the images of everything in their coll

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01 Mar 2011

A round of cheers for Michael Fried, please!

I have just finished reading Michael Fried’s The Moment of Caravaggio published last year. What a book! A compilation of his A.W. Mellon lectures at the National Gallery of Art in Washington, DC he applies to Caravaggio the same kind of th

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15 Feb 2011

Recent Reading

If anyone noticed the reduced activity on the site over the past ten days, forgive me. I was on a beach where, in between downpours, I got the chance to catch up on some reading. Three books in particular are worth recommending:

John Sp

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09 Dec 2010

Exit the King

Anyone wondering why artists represent themselves as kings – why Fouquet painted himself in 1450 as Charles VII or Ingres as Napoleon or even Lucian Freud as Queen Elizabeth II - might like to read Eugène Ionesco&rsqu

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04 Dec 2010

Steve Martin’s Artworld Fiasco

People may have more schooling nowadays but they seem no more educated. According to the New York Times, Steve Martin was at the 92nd Street Y in Manhattan this week to talk about his latest novel on the artworld and there was a large audience o

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26 Nov 2010

When art was not art….

Here’s a thought for the day from an excellent introductory text, Herbert Kessler’s Seeing Medieval Art (2004). “The production of art”, he writes of medieval images, “was understood as a spiritual act, inspired by

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25 Oct 2010

Pamela H. Smith’s Body of the Artisan

Much of the new information on this website, the revelations that surprise, come not from literature, art historical writing or aesthetic theory, but from visual images themselves. It may seem odd but I learnt much of what I know by studying Edo

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21 Oct 2010

Inner Tradition Reading List

Here, as promised, is a highly subjective Introductory Reading List for those who would like to learn more about The Inner Tradition, that strain of thought common to mystics in all religions that believes divinity is inside us, not out. It is i

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07 Oct 2010

Bronzino in Florence

The current show  of Bronzino’s paintings at Palzzo Strozzi in Florence is a marvel, beautifully organized and arranged. With 70 Bronzinos, a room-full of portraits and vast tapestries designed by the master, it is a sumptuous display

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